![]() One such example is the Canon imagePROGRAF PRO-4000, which can accommodate paper rolls as wide as 44 inches to create poster sized photographic prints. For example, some professional grade printers don’t print from individual sheets, but from rolls of paper. Photo by Abigale Keenanīeyond the amount you want to spend, thinking about professional features for things like media size come down to the type of work you plan on doing. For this reason, it’s of course so very important to ensure that a printer can match your needs for size and paper quality. Many other photographers shoot with the intent of presenting their work in oversized print sizes for gallery viewing. Museum quality papers such as the Epson Velvet Fine Art paper are acid free and designed to maintain the integrity of the image for years to come. Beyond gloss and matte finishes, fine art papers interact with inks to create a certain effect. Supported Media Sizes and Typesĭifferent types of paper can dramatically affect how your photograph looks in print. A neat technical hack for the more advanced photog printer, specialist inks are a leg up on “normal” printer ink sets and often let you forsake having to spend two or three grand for a new printer just to print B&W. Some photographers will also use specialist inks in ordinary printers to match their specific needs. Photography grade printers will use three or more individual ink pots, usually in black and grey as well as gloss and matte, to achieve photo quality grayscale hues. Pigmented ink holds its tone longer and stands up to sunlight and other environmental hazards better than other printer inks. Multiple grayscale ink tones combine to create a more even toned darkroom look. For black and white photo prints, a minimum of three to four black-and-gray-exclusive color pots are needed to get true tones in your image. ![]() ![]() More sophisticated printers utilize a more precise set of color pots to derive their images from. Here are some things to keep an eye out for when you’re shopping for your studio printer. Okay, so where to get started? There are dozens of printers out there to choose from and knowing what you really need can be difficult. This presents a major issue for fine art B&W photography of course, where cleanliness and sharpness are central to the whole affair. Photo by Sarah MakĮven many good photo quality printers will lack features that give sharpness and nuance to true black and gray tones. ![]() Subtle bleeding from color inks and an inadequate range of black and grey tones in a printer can result in unwanted color casts, often in green and magenta, and toning on darker spectrum tones in your print. Why does choosing the right printer, not just a good printer, matter so much? A whole range of issues unique to black and white photography mean pairing your intent with the right tech is necessary for the type of results you want. When it comes time to start printing photos in a studio or at home, having the right technology to get the job done effectively will save you considerable time and heartache. Because of the technical conditions necessary to get a pure black and sharp grayscale tone, B&W photographic printing requires more thought than your average color printing. In this article you’ll learn some essential factors to consider when looking for the best black and white photo printer.įor the black and white photographer, there’s no hiding behind vibrant color and selective filtering to get the right effect – your framing, subject, and composition need to be on point for it to work. Monochrome photography is popular in the fine arts for a variety of reasons, many of which come down to how it emphasizes different aesthetic components than color photography: texture, tone, contrast, lighting, and form. So when it’s intentionally missing, as is the case with artistic black and white photography, people take notice. In the digital age, color accompanies most of the images we come across during our daily lives.
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